To receive a non-teaching minor in music the student must earn at least 30 credits to include the following: Fine Arts 265, 266 (The Arts in Culture) 6 crs,; Music 151 (Major Performance ), 2 crs.; 2 crs. Chosen from Music 107A, 108A, 109A, 110A, 113A, 114A, 150A, (Ensembles), taken concurrently with 151; Music 111,112 (Music Theory I,II), 4 crs.; Music 137, 138 (Aural Perception I,II), 4 crs.; and 12 crs. of music electives approved by a music advisor. Contact the office at the Department of Music for more information.

Courses

U=for undergraduate credit only, UG=for undergraduate or graduate credit, G=for graduate credit. R after the credit indicates the course may be repeated for credit tot he maximum indicated after the R.

U 100A Performance Study 1-2 cr. Offered autumn and spring. Prereq., consent of instr. Individual instruction in voice, piano, organ, harpsichord, carillon, string, wind and percussion instruments. A total of 6 credits is allowed in any one performance area.
U 107A Choral Ensembles 1 cr. Offered autumn and spring. Open to all University students. Audition places students according to appropriate ensemble and proper seating/section. Music majors refer to curricula for specific requirements. Non-music majors may apply 8 credits of 107A-110A, 113A/313A, 114A/314A, and 150A/350A toward graduation.
U 108A Orchestras 1 cr. Offered autumn and spring. See Mus 107A for repeatability limitations. Open to all University students by audition. Rehearsal and performing experience in a broad range of symphonic, choral, operatic and concerto repertoire in the University Orchestra and the Missoula Symphony.
U 109A Marching Band 1 cr. Offered autumn. See Mus 107A for repeatability limitations. A musical organization of brass, woodwinds, percussion, and auxiliary units open to all University students with no audition required.
U 110A Concert Bands 1 cr. Offered autumn and spring. See Mus 107A for repeatability limitations. Major musical organizations open to all University students. Audition required for Symphonic Wind Ensemble.
U 111 Theory I 2 cr. Offered autumn. Coreq., Mus 137. Material and structure of music. Application of principles in tow-, three-, and four-part writing and a the keyboard.
U 112 Theory II 2 cr. Offered spring. Prereq., Mus 111. Coreq., Mus 138. Continuation of Mus 111.
U 113A Opera Theatre 1 cr. (R-8) Offered autumn and spring. Prereq., consent of instr. Study and performance of the standard opera repertoire.
U 114A UM Jazz Bands 1 cr. (R-8) Offered autumn and spring. Prereq., consent of instr. Study and performance of the jazz repertoire.
U 115A Piano in Class I 1 cr. Offered autumn. Music reading, techniques, and harmonization skills acquired through study of solo and ensemble repertoire in a contemporary electronic piano laboratory.
U 116A Piano in Class II 1 cr. Offered spring. Prereq., MUS 115A. Continuation of 115A.
U 117A Voice in Class I cr. Offered autumn and spring. Breathing, resonance, vowel formation and posture as related to tone production. Simple vocals, methods of producing crescendo, diminuendo, legato, staccato, flexibility, velocity. Sight reading. The teaching of vocal techniques.
U 120 Music Fundamentals 2 cr. Offered autumn. Basic principles of notation, including clefs, scales, intervals, cords and rhythm.
U 124 String Instruments in Class I 1 cr. (R-2) Offered autumn. Group instruction for beginning students on violin, viola, cello and bass, with emphasis on teaching procedures.
U 125 String Instruments in Class II 1 cr. (R-2) Offered spring. Prereq., Mus 124. Continuation of 124.
U 126 Double Reed Class 1 cr. (R-2) Offered autumn. Basic instruction in oboe and bassoon, with emphasis on teaching procedures.
U 127 Flute and Single Reed Class 1 cr. (R-2) Offered spring. Basic instruction in flute, clarinet, and saxophone, with emphasis on teaching procedures.
U 128 Upper Brass Class 1 cr. (R-2) Offered autumn. Basic instruction in trumpet and horn, with emphasis on teaching procedures.
U 129 Lower Brass Class 1 cr. Offered spring. Basic instruction in trombone, baritone, and tuba, with emphasis on teaching procedures.
U 130 Percussion Instruments I 1 cr. (R-2) Offered autumn. Basic instruction in percussion instruments, with emphasis on teaching procedures.
U 131 Percussion Instruments II 1 cr. (R-2) Offered spring. Basic instruction in percussion instruments, with emphasis on teaching procedures.
U 132L History of Jazz 3 cr. Offered autumn. The development of jazz in the 20th century with emphasis on critical listening and the recognition of important trends and people in its history.
U 133L History of Rock and Roll 3 cr. Offered spring. A study of the roots, components, and development of the musical art form "Rock and Roll". Significant performing artists and movements with the style identified and presented. Includes traditional lecture with substantial use of audio and visual aids.
U 134L Music Appreciation 3 cr. Offered autumn and spring. The development of music listening skills. Exploration of the relationship between musical materials and the expressive qualities of a musical composition or performance. Concert attendance required. No musical background is expected. For non majors only. Credit not allowed for both Mus 134L and 135L.
U 136H Music of the World's Peoples 3 cr. Offered autumn and spring. Introduction to the diversity of music among the world's peoples. Selected music systems throughout the world examined in their broad cultural contexts: religious, historical, and social. Introduction to ethnomusicology-a combination of musicology, anthropology and other related disciplines.
U 137 Aural Perception I 2 cr. Offered autumn. Coreq., Mus 111. A laboratory course in singing and dictation to supplement Theory I.
U 138 Aural Perception II 2 cr. Offered spring. Prereq., Mus 137; coreq., Mus 112. Continuation of 137.
U 142 Jazz Theory and Improvisation I 2 cr. Offered autumn. A performance oriented course to provide a basic understanding of jazz harmony. Application of scales and melodic patterns in improvising over various harmonic progressions.
U 143 Jazz Theory and Improvisation II 2 cr. Offered spring. Prereq., Mus 142. Continuation of 142.
U 147A Beginning Folk Guitar 2 cr. Offered autumn. A beginning course in the fundamentals of playing folk guitar. Includes introduction to the rudiments of music.
U 150A Chamber Ensembles 1 cr. Offered autumn and spring. See Mus 107A for repeatability limitations. Prereq., consent of instr. String, woodwind, brass, percussion, piano and vocal ensembles as appropriate to meet student needs.
U 151 Major Performance Area I 1-4 cr. (R-12) Offered autumn and spring. Prereq., audition and consent of instr. Instruction in voice, piano, organ, string, wind and percussion instruments. Students entering 151 must slow talent for solo performance and evidence of the equivalent of a minimum of four years prior study.
U 159 Composition I 2 cr. (R-4) Offered autumn and spring. Prereq., consent of instr. An introduction to the basic art of music composition. May be substituted for upper division electives for students not majoring in theory or composition.
U 161 Language of Music I 3 cr. Offered autumn. Music fundamentals including scales, intervals, triads, and rhythm as they are written and heard. Practical application to the voice and/ or keyboard.
U 162 Language of Music II 3 cr. Offered spring. Prereq., Mus 161. Continuation of 161 with emphasis on analysis of musical examples and aural recognition of basic harmonic patterns.
U 166L History of Musical Theater 3 cr. Offered autumn and spring. Same as Drama 166L. Exploration of origins, developing trends, and cultural/historical context of musical theater through films, lectures, and discussion.
U 170 Introduction to Music Technology 2 cr. Offered autumn and spring. Prereq., ability to read music. Survey of past and present uses of music technology in both compositional and real-time live performance applications. Exploration of synthesis techniques, computers music, and software/hardware innovations. Basic concepts of technology applied in student sequencing project in a variety of styles.
U 181 English and Italian Diction for Singers 2 cr. Offered autumn even-numbered years.
U 182 German and French Diction for Singers 2 cr. Offered spring odd-numbered years.
U 195 Special Topics Variable cr. (R-9) Offered autumn and spring. Experimental offerings of visiting professors, experimental offerings of new courses, or one-time offerings of current topics.
U 196 Independent Studies in Music 1-3 cr. (R-9) Offered autumn and spring.
U 211 Theory III 2 cr. Offered autumn. Prereq., Mus 112 and 138; coreq., Mus 237. Continuation of 112.
U 212 Theory IV 2 cr. Offered spring. Prereq., Mus 211; coreq., Mus 238
U 215 Intermediate Piano in Class I 1 cr. Offered autumn. Prereq., Mus 116A or equiv. Continuation of 116A.
U 216 Intermediate Piano in Class II 1 cr. Offered spring. Prereq., Mus 215. Continuation of 215, culminates in piano functional examination.
U 218 Intermediate Piano in Class (Honors) 1 cr. Offered intermittently. Prereq., placement examination. Accelerated offering of the material covered in Mus 215 and 216.
U 237 Aural Perception III 2 cr. Offered autumn. Prereq., Mus 112 and 138; coreq., Mus 211. A labe course in singing and dictation to supplement Theory III.
U 238 Aural Perception IV 2 cr. Offered spring. Prereq., Mus 237; coreq., Mus 212. See 237.
U 251 Major performance Area II 1-4 cr. (R-12) Offered autumn and spring. Prereq., audition and consent of instr. Continuation of 151.
U 259 Compostion II 2 cr. (R-4) Offered autumn and spring. Prereq., 4 credits of Mus 159. Original work in compostion may be subsituted for upper-division electives for students not majoring in theory or composition.
U 270 Computers in Commercial Music 2 cr. Offered intermittently. Prereq., Mus 111, 112, 170. Project-orinted course in the creative application of computers and music synthesizers in a commercial music environment. Student application of skills to digitally orchestrated original arrangements and compositions.
U 275 MIDI 2 cr. Offered intermittently. Prereq., Mus 270. Exploration of the Musical Instrument Digital Interface. Sequencers (hardware and software based), drum machines, microcomputers and their applications in real and non real-time usage. Examination of interface problems and solutions. Use of velocity and pressure-sensing keyboards, wheels, knobs, joystick, pedals and non-keyboard controllers and their use in phrasing, dynamics and special effects. MIDI applications in performance set-ups. Editor/librarian software used to subscribe to MIDI instruments.
U 302 Instrumental Conducting 2 cr. (R-4) Offered spring. Prereq., upper-division standing in music. Conducting methods and practice. Teaching methods and materials.
U 303 Choral Conduction 2 cr. (R-4) Offered autumn. Prereq., upper-division standing in music. A study of the techniques of choral conducting. Emphasis on issues encountered in various ensemble settings.
U 305 Instrumental Methods and Materials 2 cr. (R-4) Offered autumn. Prereq., upper-division standing in music. Development of practical knowledge to effectively instruct and administer the instrumental music program in the elementary and secondary schools.
U 306 Choral Methods and Material 2 cr. (R-4) Offered spring. Prereq., upper-division standing in music. Development of practical knowledge of effectively instruct and administer the choral program in the elementary and secondary schools.
U 307A Choral Ensembles 1 cr. Offered autumn and spring. Prereq., upper-division standing in voice. See Mus 107A for description.
308A Orchestras 1 cr. Offered autumn and spring. Prereq., upper-division standing in instrument of participation. See Mus 108A for description.
U 310A Concert Bands 1 cr. Offered autumn and spring. Prereq., upper-division standing in instrument of participation. See Mus 110A for description.
U 313A Opera Workshop I cr. (R-8) Offered autumn and spring. Prereq., consent of instr. See 114A for description.
U 314A UM Jazz Bands 1 cr. (R-8) Offered autumn and spring. Prereq., consent of instr. See 114A for description.
U 322 General Music Methods and Materials I 3 cr. Offered autumn. Prereq., upper-division standing in music and C&I 200. Development of practical knowledge to effectively instruct and administer general music classes in the public schools, grades K-12.
U 323 General Music Methods and Materials II 3 cr. Offered spring. Prereq., upper-division standing in music and C&I 200. Continuation of 322.
U 324H History of Music I 3 cr. Offered autumn. Prereq., Mus 135L. The history of music in Western civilization from its origins to 1750 and its relationship to general cultural development. Introduction to basic research skills in music. Emphasis on listening for style characteristics through representative recorded repertoire.
U 325H History of Music II 3 cr. Offered spring. Prereq., Mus 135L. The history of music in Western civilization from 1750 to modern times. See Mus 324H.
U 328 Orchestration I 2 cr. Offered autumn even-numbered years. Prereq., upper-division standing in music. Orchestrating and transcribing for orchestra and band instruments.
U 329 Orchestration II 2 cr. Offered spring odd-numbered years. Prereq., Mus 328. Continuation of 328.
U 333 Practicum in Piano Pedagogy 1-2 cr. (R-4) Offered intermittently. Prereq. Or coreq., Mus 430, 431. Student teaching of young pianists.
U 335 Workshop in Music Education 1-3 cr. Offered intermittently. Prereq., C&I 200, Mus 134L. Integration of fundamental skills and basic rudiments of music into the various aspects of teaching music creatively in the elementary school. For non-music majors only.
U 340 Vocal Repertoire 2 cr. (R-8) Offered autumn odd-numbered years; offered spring even-numbered years. Prereq., upper-division standing in music. A series of courses designed to give the voice major a comprehensive acquaintance with styles and interpretation in French, German, Contemporary, and Operatic repertoire.
U 345 Junior Recital 2 cr. Coreq., Mus 301 and 351. Offered autumn and spring.
U 346 Advanced Functional Piano 1 cr. Offered intermittently. Prereq., upper-division standing in music. Offered alternate years. Techniques of harmonization, transposition, sight-reading, modulation, and improvisation.
U 350A Chamber Ensembles 1 cr. Offered autumn and spring. Prereq., consent of instructor. See Mus 150A.
U 351 Major Performance Area III 1-4 cr. (R-12) Offered autumn and spring. Prereq., upper-division standing in music and consent of instr. Continuation of 251.
U 359 Composition III 3 cr. (R-6) Offered autumn and spring. Prereq., upper-division standing in music and 4 credits in Mus 259. Creative writing of music.
U 360 Introduction to Computer Assisted Music Composition 3 cr. Offered intermittently. Prereq., upper-division standing in music. Development of music composition skills and techniques through introduction to the use of computers and electronic musical instruments (MIDI). Limited to composition majors. One semester of Mus 360 is required of all composition majors and may be substituted for three credits of Mus 359.
U 361 Form and Analysis I 2 cr. Offered autumn even-numbered years. Prereq., upper-division standing in music. Detailed harmonic and formal analysis of representative works from the Baroque period to the present.
U 362 Form and Analysis II 2 cr. Offered spring odd-numbered years. Prereq., upper-division standing in music and Mus 361. Continuation of 361.
U 379 Counterpoint I 3 cr. Offered intermittently. Prereq., upper-division standing in music. Writing and analysis of contrapuntal styles through the 18th century.
U 380 Counterpoint II 3 cr. Offered intermittently. Prereq., Mus 379. Continuation of 379.
U 395 Special Topics Variable cr. (R-9) Offered autumn and spring. Experimental offerings of visiting professors, experimental offerings of new courses, or one-time offerings of current topics.
UG 408 The Arts in Society 1 cr. Offered intermittently. Prereq., upper-division standing in music. The role of music and the arts in contemporary and recent cultures.
U 409 Pedagogy of Strings 1-2 cr. (R-4) Offered intermittently. Prereq., upper-division standing in music and consent of instr. Procedures and materials in class string instruction.
UG 420 Medieval and Renaissance Music 2 cr. Offered intermittently. Prereq., Mus 324 and upper-division standing in music. Survey of music from monophony to the 16th century.
UG 421 Music of the Baroque Period 2 cr. Offered intermittently. Prereq., Mus 324 and upper-division standing in music. Detailed analysis and comparison of selected instrumental, vocal, and keyboard compositions of the Baroque Period, 1600-1750.
UG 422 Music of the Classical Period 2 cr. Offered intermittently. Prereq., Mus 325 and upper-division standing in music. Detailed analysis and comparison of selected compositions of the Viennese-Classical Period, 1750-1828.
UG 423 Music of the Romantic Period 2 cr. Offered intermittently. Prereq., Mus 325 and upper-division standing in music. Detailed analysis and comparison of selected instrumental, vocal and keyboard compositions of the 19th century.
UG 424 Music of the 20th Century 2 cr. Offered intermittently. Prereq., Mus 325 and upper-division standing in music. Detailed analysis and comparison of selected instrumental, vocal and keyboard compositions of the 20th Century.
UG 425 History of American Music 2 cr. Offered intermittently. Prereq., Mus 325 and upper-division standing in music. The development of American music from its antecedents. The effect of an evolving democratic state on the arts, the development of various centers of performing arts, and the types of music performed.
UG 430 Piano Methods and Materials I 2cr. Offered autumn odd-numbered years. Prereq., upper-division standing in music or consent of instr. Methods and materials for teaching piano classes in public schools and private studios. Procedures in teaching beginning, intermediate and advanced students in private studios. Practical demonstrations and supervised laboratory experience with children's classes.
UG 431 Piano Methods and Materials II 2 cr. Offered spring even-numbered years. Prereq., Mus 430. Continuation of 430.
UG 432 Keyboard Literature II 2 cr. Offered autumn even-numbered years. Prereq., upper-division standing in music. Keyboard literature from the developments of the Baroque era to the contemporary period including the suite, sonata, character pieces, etc.
UG 433 Keyboard Literature II 2 cr. Offered spring odd-njmbered years. Prereq., Mus 432. Continuation of 432.
UG 434 Current Trends in Music Education 2 cr. Offered intermittently. Prereq., upper-division standing in music. An examination and evaluation of current trends in music teaching in the public schools with emphasis on general music programs and group instrumental instruction.
U 438 Workshop in Music Education 1-3 cr. (R-6) Offered intermittently. Special workshops and clinics in elementary and secondary public school teaching problems.
U 441Vocal Pedagogy 2 cr. Offered autumn even-numbered years; offered spring odd-numbered years. Prereq., upper-division standing in music. Procedures, philosophies and terminology used in the teaching of singing. Individual and group techniques.
U 445 Senior Recital 1-2 cr. Offered autumn and spring. Coreq., Mus 401 or 451.
U 451 Major Performance Area IV 1-4 cr. (R-12) Offered autumn and spring. Prereq., upper-division standing in music and consent of instr. Continuation of 351.
U 457 The Arts and Human Values: Questions of Meaning 3 cr. (R-6) Offered intermittently. Same as Dan, Dram 457. An interdisciplinary and integrated investigation of ethics and values in the arts.
U 459 Composition IV 3 cr. (R-6) Offered autumn and spring. Prereq., 6 credits in Mus 359. A continuation of composition with writing in the larger forms.
UG 460 Computer-Assisted Music Composition 3 cr. (R-6) Offered intermittently. Prereq., Mus 360. Practical application of compositional techniques learned in Mus 360. One semester of 460 may be substituted for Mus 459.
UG 466 Music Programming Languages I 2 cr. Offered intermittently. Prereq., Mus 275 and upper-division standing in music. Introduction to analog and digital synthesis techniques. Exploration of hardware and software based programmable synthesis. Aural understanding of sound and exploration of its manipulation using synthesis engines of different manufactures. Subtractive, additive and FM technologies.
UG 467 Music Programming Languages II 2 cr. Offered intermittently. Prereq., Mus 466 and upper-division standing in music. Continuation of studies in digital technologies. Digital sampling and manipulation of sound, advanced FM techniques, vector synthesis, additive and complex MIDI computer-based systems. Student projects in real and non-real time environments.
UG 470 Electronic Orchestration 2 cr. Offered intermittently. Prereq., Mus 371 and upper-division standing in music. Techniques of writing, arranging and orchestration for the MIDI workstation utilizing all the power of timbre layering intrinsic to electronic music systems. Analog, digital and combinational systems explored as to their timbral characteristics within a compositional environment. Students use learned techniques to orchestrate a major musical work.
UG 495 Special Topics Variable cr. (R-9) Offered autumn and spring. Experimental offerings of visiting professors, experimental offerings of new courses, or one-time offerings of current topics.
UG 496 Independent Studies in Music 1-3 cr. (R-9) Offered autumn and spring. Prereq., consent of instr.
U 499 Professional Projects 1-4 cr. (R-4) Offered autumn and spring.
G 500 Secondary Performance Area 1-2 cr. (R-6) Offered every term. Prereq., audition and consent of instr. Continuation of 100.
G 501 Performance Area 1-2 cr. (R-4) Offered every term. Prereq., audition and consent of instr. Continuation of 401.
G 511 Advanced Conducting 2 cr. (R-6) Offered intermittently. Prereq., Mus 331 and consent of instr. Class and/or individual study of the art of conducting with emphasis on performance with university performing groups.
G 512 Repertoire for Public School Music Students 2 cr. (R-4) Offered intermittently. Prereq., graduate standing in music. Concentrated study of repertoire for instrumental or vocal soloists, chamber ensembles or large ensembles.
G 519 Introduction to Graduate Studies in Music 1 cr. Offered summer. Prereq., graduate standing in music. An investigation of all UM library resources ( an overview of facilities, holdings, staff) available to students for graduate research in music. An analysis and comparison of writing styles used in research.
G 520 Research in Music 2 cr. Offered autumn and summer. Prereq., graduate standing in music. Research problems: their statement, organization, techniques, tabulation of materials, and concepts necessary for interpretation of data. Development of a research proposal.
G 521 Psychology of Music 2 cr. Offered intermittently. Prereq., graduate standing in music. Investigation of the perception, processing and cognition of music. Psychological foundations of musical behavior: psychoacoustics, measurement and prediction of musical ability, functional music, music and society, music learning, and effective response to music.
G 522 Philosophy of Music 2 cr. Offered intermittently. Prereq., graduate standing in music. An investigation of the meaning of music, the relationship to various societies and social structures and the leading philosophical ideas which relate to music and music instruction.
G 525 Seminar in Vocal Literature 2 cr. (R-6) Offered intermittently. Prereq., graduate standing in music. Concentrated study of opera literature, song literature or choral literature.
G 526 Seminar in Instrumental Literature 2 cr. (R-4) Offered intermittently. Prereq., graduate standing in music. Concentrated study of symphonic literature or instrumental chamber music literature.
G 532 Topics in Philosophies of Music 2 cr. (R-8) Offered summer. Prereq., graduate standing in music. Series of courses designed to investigate the various philosophies used by the music educator in designing/developing course work and curricula. These topics may include but are not limited to: current trends, implications for our future, aesthetics, this in the technical age, world perspectives, music and meaning, methodologies into the next century, economics and music.
G 534 Topics in Music Theory and Analysis 2 cr. (R-8) Offered summer. Prereq., graduate standing in music. Series of courses designed to acquaint the music educator with theory and analytical skills providing the foundation for educational experiences on the elementary/secondary school level. These topics may include but are not limited to: vocal and instrumental arranging, jazz analysis, jazz arranging, 16th century couterpoint, 18th century counterpoint, pedagogy of theory, post-tonal theoretical studies, 20th century sightsinging, composition.
G 537 Topics in Social Issues in Music 2 cr. (R-8) Offered summer. Prereq., graduate standing in music. Series of courses designed to explore important social issues relating to music education. These courses may include but are not limited to: leadership skills and styles, assessment and evaluation, arts advocacy, administration and supervision, professional ethics and procedures, political and legal liabilities.
G 551 Major Performance Area 1-4 cr. (R-12) Offered every term. Prereq., audition and consent of instr. Continuation of 451.
G 552 Advanced Orchestration 2 cr. (R-4) Offered intermittently. Prereq., graduate standing in music. Individual projects in scoring for large or small ensembles.
G 554 Analytical Techniques I 3 cr. Offered autumn. Prereq., graduate standing in music. A survey of the theoretical approach of leading composers from the polyphonic period to the present.
G 555 Analytical Techniques II 3 cr. Offered spring. Prereq., Mus 554. Continuation of 554.
G 557 Techniques of Composition 2 cr. (R-4) Offered intermittently. Prereq., graduate standing in music. An introduction to composition for graduate students. Development of techniques and skills necessary to the composer.
G 559 Composition Variable cr. (R-6) Offered intermittently. Prereq., consent of instr. Continuation of 459.
G 581 Arts Education Institute 1 cr. (R-4) Offered summer. Same as Art, Dram 581. Open forum with national and regional speakers, panels, and symposia to promote discussion, understanding, and direction on significant national issues in the arts and arts education.
G 582 Arts Education Seminar I 1-2 cr. (R-4) Offered summer. Prereq., Mus 581. Same as Art, Dram 582. Topics vary.
G 583 Arts Education seminar II 1-2 cr. Offered summer. Prereq., Mus 582. Same as Art, Dram 583. Continuation of 582.
G 584 Arts Education Seminar III 1-2 cr. (R-4) Offered summer. Prereq., Mus 583. Same as Art, Dram 584. Continuation of 583.
G 585 Arts Education Seminar IV 1-2 cr. (R-4) Offered summer. Prereq., Mus 584. Same as Art, Dram 585. Continuation of 584.
G 586 Arts Education Seminar V 1-2 cr. (R-8) Offered summer. Prereq., Mus 585. Same as Art, Dram 586. Continuation and synthesis of preceding seminars.
G 587 Arts Education Practicum 1 cr. (R-4) Offered summer. Same as Art, Dram 587. The active application of concepts and theories presented during the Arts Education Institute and the arts education seminars within a small group setting.
G 588 Arts Education Apprenticeship 1 cr. (R-4) Offered summer. Same as Art, Dram 588. Exploration of art forms to develop new artistic and communicative perceptions and awareness.
G 589 Arts Education Field Project 1 cr. (R-4) Offered summer. Same as Art, Mus 589. Creative/research activities.
G 593 Professional Projects Variable cr. (R-4) Offered intermittently. Prereq., graduate standing in music.
G 595 Special Topics Variable cr. (R-8) Offered intermittently. Experimental offerings of visiting professors, experimental offerings of new courses, or one-time offerings of current topics.
G 596 Independent Study Variable cr. (R-6) Offered intermittently. Prereq., consent of instr. Students must have projects approved by a music faculty member before enrolling.
G 599 Thesis Variable cr. (R-10) Offered intermittently. Prereq., graduate standing in music.

Faculty

Professors

Eugene Andrie, M.A., University of Washington (Emeritus)

Lance R. Boyd, M.F.A., University of Minnesota, 1968
Thomas H. Cook, D.A., University of Northern Colorado, 1983 (Chair)
Gerald H. Doty, Ed.D., Indiana University (Emeritus)
Esther England, B.A., The University of Montana , 1966
Steven Hesla, M.M., University of Illinois, 1972
William Manning, M.M., Drake University (Emeritus)
Roger Dale McDonald, M.M., Yale University, 1973
Joseph Mussulman, Ph.D., Syracuse University (Emeritus)
Florence Reynolds, D.M.A., Eastman School of Music (Emeritus)
Donald W. Simmons, Ed.D., University of Illinois (Emeritus)
Patrick Williams, M.A., Eastern Michigan University, 1973

Associate Professors

Fern Glass, M.M., Yale University, 1978

Joseph Henry, D.M.A., Eastman School of Music, 1965
Robert LedBetter, D.M.A., University of North Texas, 1993
Maxine Ramey, M.M., Michigan State University, 1981

Assistant Professors

Anne Basinski, M.M., Indiana University, 1989

Stephen Bolstad, M.M., Ithaca College, 1985
Nancy Cooper, D.M.A., Eastman School of Music, 1983
Gary Funk, D.M.A., Arizona State University, 1982
Jody C. Graves, D.M.A., Eastman School of Music, 1993
Stephen Kalm, M.A., Queens College
Margaret Nichols-Baldridge, M.M., Northwestern University, 1988
Margaret Schuberg, M.M., The University of Montana, 1980
Luanna Stroh, Ph.D., University of Minnesota, 1994

Instructors

Don Beller, M.M., VanderCook College of Music, 1975

Dorothy Morrison, M.A., University of Alaska, 1988
Debra Poole, M.M., University of Washington, 1976